By Erin Simonetti
This is the last picture I’ll take, before I finish the silver outside edging, on each strap, then attach the ‘front and center’ petal! The next pic will be a completed photograph. I can’t believe I have been Blogging about this Lotus SLN since last July, (although there were a few cuffs, one cell phone bag, a lot of earrings and a needle case, in between, lol).
Thanks for hanging in there! Mirrix proved to be a real work horse!
A while back Fire Mt. Gems asked me to create a bead tapestry on an eight inch loom. The picture was to be somewhere in their catalogue or on their site. I don’t remember where it ended up and if it even ended up anywhere.
The other day I was asked if I could whip up a weaving on a loom with a shedding device (they realized they had not pictures of bead weavings on a loom with a shedding device). They needed it yesterday. I told them it would take me at least a month to weave such a piece and that I don’t have time to do that but I could possibly transfer the piece that was on the eight inch loom onto a twelve inch loom. They were shocked and pleasantly surprised.
The eight inch loom in question had been living at NOA Gallery for a long time. I needed to retrieve the loom and work my magic. I picked up the loom yesterday. This is how she looked:
|Eight inch loom with bead weaving|
The transformation is below. Granted, this is not a functional setup. There are half the number of warps one needs to actually weave, but the piece is already woven and all they needed was it to look like the shedding device is functional. Yes, I am endlessly patting myself on the back for this.
The reason I am sharing this is to show you that you can transfer a weaving from one Mirrix to the next or even from another loom to a Mirrix if the universe lines up correctly. I have to say this was even fun to do and I was pleased as can be with the results. Fire Mt. Gems is thrilled.
|Warped16″ Big Sister Loom|
After choosing my colors I began to weave, making sure to keep the width of the piece the same. Up top there are a few places where the railroad yarn makes the piece look uneven. I will probably go back and fix this. If you aren’t careful the thicker parts of that particular yarn can end up on the edge and cause this unevenness.
By Erin Simonetti
I have been working on my ascent upwards, on the Lotus SLN. Here are a few pictures to show you my start.
The picture above is an overall view. Besides the upper straps not being completed, there is only ‘one’ part missing, the petal ‘front and center’ of the Lotus. I will secure that into place, but wanted to get started on the upper straps.
Here is a picture, back when I started this looming.
The Mirrix was the perfect loom for warping with so many warps, needing to control the tension on these warps, (Mirrix has wing nuts on each side to adjust tension), and using ©Weighted Warps so each warp is movable and able to decrease/increase anytime as I loom. Let me share what I planned and why I wanted to use the Mirrix with ©Weighted Warps.
Since this is an SLN, (Split Loomed Necklace), I knew the center focal would eventually ‘split’ into creating the two upper straps, of the finished necklace. How I wanted to accomplish this was to create a unique ‘cut out’ design, intermixed with some graphing of a picture. My design idea also included what type of ‘split’ would occur, at the very start of this process. I decided on a wide scoop look, with some indentations along the edge of the straps. (Later I’ll share more about how I created the ‘scoop design’ as you see below.)
You can see the one cut out, I was able to create because the warps were not secured to the loom. The ©Weighted Warps allowed me to move any warp aside, include them in my rows of beads to indent and add them back in to close off the cut out again. All the while, each of the warps, secured to a ©Weighted Warp weight, were movable, had adjustable lengths and kept the tension for straight looming as well.
Many lacy designs can be completed, using my ©Weighted Warp method, which I hope to get into more detail, later on. Much more to loom, as I ascend, which will include a graphed pattern I created. This pattern will splay out using 11/o Delica Silver Metallic beads and 11/o Delica Matte Black beads.
If you are interested in knowing more about my ©Weighted Warps, you can contact Venessa Hearn of Bead Up A Storm. We have worked together to create the optimum ©Weighted Warp. A purchase of these warps, from her shop, would include personal instructions and offer help on how to set them up or utilize them during your bead loom designing. You can also contact me for any specifics as well.
Also not mentioned yet, is the edging I will include to complete the upper straps. I will use the Silver Mettalic beads to line not only each outside edge, of each strap, but will also line the entire area of the cut out!
|You can win this purse|
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Spent the weekend at Cornell visiting Zach, my son. Managed to remember to have my camera on hand. Even remembered to use it a few times.
|Frank Lloyd Wright . . . but who really made it?|
|Forget who this is . . . but I love it.|
|I did manage to capture some of the amazing colors in this even though it was behind glass.|
|Name the artist who painted this and we’ll give you a10% discount off your next Mirrix order.|
|Love the shape of this.|
|Can’t you just see that woven?|
|She really does look real. Eye balls are glass and when you are close to her you feel like she’s going to slap you because you are staring at her.|
|And finally a nice meal at the Moosewood Restaurant with Zach!|
My blank headbands arrived last night. They are plastic and white. I can’t wait to finish my weaving (this weekend, I hope) and get started. Once I make a prototype, we will begin making kits (assuming it looks as amazing as I hope). These would be a great gift for any female in your life, young or old. (And what a fun project to do with your little girl!)
|Some of my not-as-cool-as-woven-headbands headbands|
When I was little I loved hair things. Scrunchies, clips, ties, I was obsessed. At one point I even had my mom (Ms. Claudia Chase, you may have heard of her) slaving away sewing scrunchies for me. My all time favorite hair accessory, though, were headbands. One of my favorites was a black headband with Native American beading glued on. The beads were plastic and in primary colors and it started to fall apart soon after I began wearing it, but I thought it was the perfect companion to any outfit. (I was choosing my own clothes at a relatively young and had only one rule that I picked up from either my mother or my grandmother: Don’t wear pink and red together. Everything else was fair game.)
I still wear handbands sometimes, but haven’t found one I really love in quite some time.
That’s about to change. I’ve decided to take the “tapestry/bead cuff bracelet” concept and apply it to headbands. (Take a moment and imagine, I’ve included a picture of a tapestry/bead cuff bracelet)
I’ve ordered some headband blanks (plastic, let me know if you know where I can get thick metal one in bulk) and have started a weaving that’s a little more than an inch thick. I’ll keep writing through the phases of this project!
Now for the finished tapestry. I’ve taken a photo of the back so you can see how I finish my tapestries. I never sew a solid piece of material to the back because over time that can distort the piece. The strips hold in stray pieces of yarn and give it a more finished look. I usually attach a strip of velcro to the top and the accompanying piece to a wooden strip which attaches to the wall. Because this piece is so small, I didn’t bother to do that although I might later.
I’ve used bead soup to embellish the top and bottom of the piece. I covered up the “house” with bead soup and hung glass leaves around it. This piece is called “Shrine Two”, the second in a series of very simple handspun pieces embellished with beads, glass and metal charms. Quick and fun to do and a great way to play with handspun without getting very serious.
|Back of piece|
|Front of PIece|